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But I miss the light wrap, and also a color matcher (match the colors of one video track to the colors in another video track). The chroma key seems to be superior to everything else I have tried. As for motion tracking, it only becomes interesting to me when I will be able to apply tracking data to another video track in Vegas, and I doubt I can. Not very comvincing.Īnd the Light Wrap FX is not there after installing BCC7, even if it is described on their web site when presenting BCC for Vegas. This form stops at Windows Vista in their list of the OS I am running, no mentioning of Windows 7. I tried to file a support request, but I always bail out with the message that I did not fill in the form correctly, but I did my best.
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But I do not understand this Boris company.
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įTC Disclosure: I have not been offered any consideration or compensation from Boris FX for the review/editorial of this product(s).> It's like having After Effects right inside Vegas Pro 10.Ĭould be. As always, you can send him an or follow him on Twitter. Kevin P McAuliffe is a Senior Editor at MIJO, in Toronto, Canada.
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BCC7 will probably be at the top of my 2010 top 10 list, and gets my highest recommendation. Looking to download Sapphire, Continuum, or any of the Boris FX products Click here. If you don’t have BCC7, you and your clients are missing out. To be perfectly honest, It’s very rare for me to work on an intermediate to advance After Effects or NLE compositing project without using one or more BCC plug-in in the mix. – Not all new effects are included in all bundles
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– Support for 32 and 64 bit versions of AE (back to version seven of AE) – With BCC7, you probably don’t need to buy any more plug-ins.
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– The best of the best are Continuum Units – 3-Way Color Grade, Beat Reactor and Noise Reduction lead the “New Filters” charge – Real Extruded 3D text and EPS extrusion right in your NLE/compositing program
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If you haven’t tried BCC7 (or any version of BCC for that matter), head over to their website, and download the free fourteen day trial. What was old is new again! Now, I review a lot of plug-in packages (and I mean a lot), and I think I have just about every plug-in out there, and there are few plug-ins that I find myself going back to over and over again like the BCC7 Suite of effects. In total, eleven new effects, but many of the previous ones have seen additions to them, such as having the “Compare” feature, Motion Tracker, Pixel Chooser and even Beat Reactor integrated right into the effect themselves. Rounding out the new plug-ins are Noise Reduction, Lens Blur/Shape/Transition, Particle Array 3D, Pin Art 3D, Warp, Morph and Video Morph. Now, I can go on for quite a while and talk about why I think Beat Reactor is great, but as the expression goes, the proof is in the pudding, so here’s a tutorial I did on Beat Reactor, and you can see exactly what I mean.įollow up Beat Reactor with 3-Way Color Grade, an excellent primary and secondary color correction tool that combined with the integrated masking tool (I love the Egg-Shape mask tool), the BCC Motion Tracker and the new Compare feature (see your footage before and after the effect has been applied) make this a go-to effect for me for any color correction work I need to do in After Effects. A simple to use, yet extremely powerful tool (I don’t call it a plug-in, as it is more of a tool) to sync your animations to sound. But, where do you go from there? Well, how about adding another tool that AE artists desparately needed, but again, had to go to another third party plug-in company to get. Previously you had to go to a different third-party plug-in company to get 3D text in After Effects. Believe it or not, there were a total of fifteen new plug-ins in version six, but the 3D ones overshadowed everything. We were already blown away in version 6 with the inclusion of 3D Objects (Extruded EPS, Extruded Spline, Extruded Text, Layer Deformer and Type on Text). Previous to version seven, BCC’s filter line up was already stacked to the rafters with excellent plug-ins. This one is a little tricky, as it’s tough to figure out where to start. Let’s see if BCC7 is worth adding to your shiny new copy of After Effects CS5. But, as we know, that isn’t always a good thing. They have taken great strides to get their products in the hands of users. Anyone who purchases Media Composer gets a copy of BCC (always the previous years version), and anyone working in Final Cut Pro know’s the very familiar Boris 3D Title (an interface common across all of their text based effects). In a way, their plug-ins have defined effects work for editors for years.
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Everyone, whether you are a professional in the field of editing/vfx or just starting out, has heard of Boris FX.
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